{"id":17667,"date":"2021-07-20T02:25:29","date_gmt":"2021-07-20T00:25:29","guid":{"rendered":"https:\/\/diploma2021.ecolecamondo.fr\/sujet-impose\/mad-experimentation\/"},"modified":"2021-07-20T02:25:29","modified_gmt":"2021-07-20T00:25:29","slug":"mad-experimentation","status":"publish","type":"subject-imposed","link":"https:\/\/diploma2021.ecolecamondo.fr\/en\/sujet-impose\/matias-anoyvega\/mad-experimentation\/","title":{"rendered":"MAD Exp\u00e9rimentation"},"content":{"rendered":"
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fig.1 _ Vue de l’ancien Palais des Tuileries qui fermait l’actuelle Cour Napol\u00e9on et s\u00e9parait le Louvre du Jardin des Tuileries.\u00a0Le\u00a0Palais sera en grande partie d\u00e9truite\u00a0par un incendie en 1848. Il sera\u00a0enti\u00e8rement ras\u00e9 par la suite. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0fig.2_ Vue int\u00e9rieure du Palais des Tuileries en ruine apr\u00e8s l’incendie pendant la p\u00e9riode de la Commune de Paris en 1871. Ce tirage fait partie de l’album, Le si\u00e8ge de Paris : 1870-1871. Il a \u00e9t\u00e9 r\u00e9alis\u00e9 par Bruno Braquehais, photographe et photojournaliste fran\u00e7ais.\n<\/figcaption>\n <\/article>\n\n\n
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MAD MARKET<\/p><\/div><\/div><\/article>\n\n\n

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MAD WKSHOP<\/p><\/div><\/div><\/article>\n\n\n\n

Mettre en avant des savoir-faire traditionnels et contemporains li\u00e9s aux arts d\u00e9coratifs gr\u00e2ce \u00e0 une nouvelle proposition d’ateliers (workshops , masterclass) ouverts \u00e0 un public non initi\u00e9. Il s’agit \u00e9galement de donner de la visibilit\u00e9 \u00e0 des jeunes designers, artistes \u00e9mergents.<\/p><\/div><\/div><\/article>\n\n\n

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\n \n \"\"\n <\/a>\n <\/div>\n <\/article>\n","protected":false},"author":157,"featured_media":17668,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"D\u00e9mocratiser l\u2019acc\u00e8s au Mad avec une greffe pour une plus forte porosit\u00e9 entre Rivoli et le mus\u00e9e. 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