{"id":20289,"date":"2021-07-19T23:58:39","date_gmt":"2021-07-19T21:58:39","guid":{"rendered":"https:\/\/diploma2021.ecolecamondo.fr\/memoire\/encadrer-cadrer-decadrer-jouer-avec-les-limites-de-larchitecture\/"},"modified":"2021-09-08T18:07:28","modified_gmt":"2021-09-08T16:07:28","slug":"encadrer-cadrer-decadrer-jouer-avec-les-limites-de-larchitecture","status":"publish","type":"dissertation","link":"https:\/\/diploma2021.ecolecamondo.fr\/en\/memoire\/coralie-demoulin\/encadrer-cadrer-decadrer-jouer-avec-les-limites-de-larchitecture\/","title":{"rendered":"Framing, centring, unframing: playing with the limits of architecture"},"content":{"rendered":"\n

Ce travail de recherche part d’une analogie entre \u0153uvre d’art et architecture, entre cadre et limite dans le but de comprendre comment jouer avec les limites de l\u2019architecture afin de troubler la perception de la fronti\u00e8re entre dedans et dehors. <\/p><\/div><\/div><\/article>\n\n\n

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“On peut jouer avec les limites gr\u00e2ce \u00e0 la forme que l\u2019on donne \u00e0 l\u2019\u0153uvre, gr\u00e2ce \u00e0 la mat\u00e9rialit\u00e9 qu\u2019on lui applique et au mouvement qu\u2019on lui donne.”<\/p><\/div><\/div><\/article>\n\n\n\n

La forme<\/p><\/div><\/div><\/article>\n\n\n

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A gauche : AKASEGAWA Genpei, Photographie d\u2019une \u0153uvre de la s\u00e9rie Canned Universe, 1964-1994 ; A droite : NISHIZAWA Ryue, Mus\u00e9e Iroshi Senju, Nagano, Japon, 2011, Photographie de BAAN Iwan\n<\/figcaption>\n <\/article>\n\n\n\n

La mat\u00e9rialit\u00e9<\/p><\/div><\/div><\/article>\n\n\n

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A gauche : GANCE Abel, image issue du film \u00abNapol\u00e9on\u00bb, France, 1927 ; A droite : PUIGCORBE Joan , maison In Out, San Jos\u00e9, Costa Rica, 2015, photographie de MIRALLES Jordi\n<\/figcaption>\n <\/article>\n\n\n\n

Le mouvement<\/p><\/div><\/div><\/article>\n\n\n

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A gauche : HANSEN Heater, Drawninward, fusain, 2019 ; A droite : 9. BAN Shigeru, Curtain wall house Japon, 1995\n<\/figcaption>\n <\/article>\n","protected":false},"author":182,"featured_media":20290,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"Border, separation, wall, edge, extremity, end, contour, boundary, threshold, frame... So many terms to describe a limit.Although this term is paradoxically somewhat undefined, this dissertation proposes to study the limit between the interior and the exterior in architecture. This involves understanding how it is possible to play with limits to disrupt our perception of the border between the outside and the inside.An analysis based on extended research of the arts to understand how photographers, artists, film makers and others have tackled the question of frame and limit, in order to extract hypotheses for architectural settings.","_metafield_image_toggle":false,"_metafield_image_legend":"Ce m\u00e9moire propose lui-m\u00eame de sortir de son cadre en se d\u00e9composant litt\u00e9ralement. Ainsi, s\u2019il peut \u00eatre lu de fa\u00e7on classique dans l\u2019ordre pr\u00e9d\u00e9finit, les trois parties sont ind\u00e9pendantes et peuvent se d\u00e9tacher pour \u00eatre lues dans un ordre tout autre."},"keywords":[165,166,164],"teachers_list_1":[156],"class_list":["post-20289","dissertation","type-dissertation","status-publish","has-post-thumbnail","hentry","keywords-private-spaces","keywords-public-spaces","keywords-research-approach","teachers_list_1-laure-fernandez"],"acf":[],"yoast_head":"\nFraming, centring, unframing: playing with the limits of architecture - Diploma Camondo \u00e9dition 2021<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diploma2021.ecolecamondo.fr\/en\/memoire\/coralie-demoulin\/encadrer-cadrer-decadrer-jouer-avec-les-limites-de-larchitecture\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Framing, centring, unframing: playing with the limits of architecture - 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