{"id":20208,"date":"2021-07-18T17:29:51","date_gmt":"2021-07-18T15:29:51","guid":{"rendered":"https:\/\/diploma2021.ecolecamondo.fr\/memoire\/les-icones-du-design-guide-pratique\/"},"modified":"2025-11-05T10:00:42","modified_gmt":"2025-11-05T09:00:42","slug":"les-icones-du-design-guide-pratique","status":"publish","type":"dissertation","link":"https:\/\/diploma2021.ecolecamondo.fr\/en\/memoire\/violette-boullet\/les-icones-du-design-guide-pratique\/","title":{"rendered":"Icons of design: Practical guide"},"content":{"rendered":"
\n
\n<\/article>\n\n\n\n

Dans ce m\u00e9moire, j’ai d’abord cherch\u00e9 \u00e0 d\u00e9finir les caract\u00e9ristiques de ce mobilier iconique.<\/p><\/div><\/div><\/article>\n\n\n

\n
\n<\/article>\n\n\n
\n
\n \n \"\"\n <\/a>\n <\/div>\n
UN DESIGN D’AUTEUR\nSi ces produits ont aujourd\u2019hui le statut d\u2019ic\u00f4ne, de classique, de meuble culte, c\u2019est en partie car ils ont \u00e9t\u00e9 pens\u00e9s par des figures embl\u00e9matique du XX\u00b0 si\u00e8cle.\nNous parlons alors de design d\u2019auteur, car ce design iconique n\u2019est pas anonyme, bien au contraire, c\u2019est bien un design dont l\u2019auteur est connu et reconnu.\n<\/figcaption>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n
\n
\n
\n
\n
\n \n
<\/div>\n <\/a>\n <\/div>\n
\n \n
<\/div>\n <\/a>\n <\/div>\n
\n \n
<\/div>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
DES PRODUCTION MANIFESTES D’INNOVATIONS\nLe design du XX\u00b0 si\u00e8cle est marqu\u00e9 par les nombreuses innovations techniques, mat\u00e9rielles et formelles des productions. Elles sont manifestes de ces d\u00e9couvertes. L\u2019utilisation des mat\u00e9riaux a connu un v\u00e9ritable tournant avec le mouvement moderne. La place est \u00e0 la reproduction en s\u00e9rie, les mat\u00e9riaux doivent ainsi servir cette production industrielle. Exploit\u00e9s pour des am\u00e9nagements professionnels, ces mat\u00e9riaux ont \u00e9t\u00e9 d\u00e9tourn\u00e9s, repens\u00e9s.\n<\/figcaption>\n <\/article>\n\n\n
\n
\n<\/article>\n\n\n\n

Je me suis ensuite int\u00e9ress\u00e9e au ph\u00e9nom\u00e8ne de la r\u00e9\u00e9dition, son authenticit\u00e9, ses limites.<\/p><\/div><\/div><\/article>\n\n\n\n

\u00ab Il est du principe de l\u2019oeuvre d\u2019art d\u2019avoir toujours \u00e9t\u00e9 reproductible. Ce que des hommes avaient fait, d\u2019autres pouvaient toujours le refaire. \u00bb <\/p>

Benjamin WALTER<\/span> – <\/span>L\u2019oeuvre d\u2019art \u00e0 l\u2019\u00e9poque de la reproduction m\u00e9canis\u00e9e.<\/span><\/p><\/div><\/div><\/div><\/article>\n\n\n

\n
\n<\/article>\n\n\n
\n
\n
\n
\n
\n
<\/div>\n
<\/div>\n
\n \n \n \n <\/svg>\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/article>\n","protected":false},"author":213,"featured_media":20210,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"What\u2019s the first item you think of when someone mentions a design icon? The Eames Lounge Chair? The Chaise Longue LC4 by Le Corbusier and Charlotte Perriand? The Barcelona Chair by Mies Van Der Rohe? Why do we refer to these designs as icons? What do these design icons symbolise? A history, a movement? A symbol? Of what? This dissertation seeks to understand the phenomenon of design icons. Why and how have they achieved this privileged status, what do they produce? This \u2018practical guide\u2019 is above all an investigation. Like a journalist, I try to explain the subject and, in conducting my investigation, I\u2019ve explored a whole world. I realised that there has been real study of these icons. They are much more than simple furniture.","_metafield_image_toggle":false,"_metafield_image_legend":""},"keywords":[164],"teachers_list_1":[38],"class_list":["post-20208","dissertation","type-dissertation","status-publish","has-post-thumbnail","hentry","keywords-research-approach","teachers_list_1-alexis-markovics"],"acf":[],"yoast_head":"\nIcons of design: Practical guide - Diploma Camondo \u00e9dition 2021<\/title>\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n\n\n\t\n